Public spats, on-air booing, contestants concerned for their safety — the reputation of the Eurovision Song Contest has taken a beating over the past week. And much of that stems from the behaviour of the European Broadcasting Union, the very body that’s supposed to protect and promote the competition.
That’s the message we’re getting from Stig Karlsen, the widely respected Head of Delegation for Norway’s broadcaster NRK.
Norway’s Stig Karlsen addresses Eurovision 2024 scandals
Speaking to Wiwibloggs on Thursday morning, Stig encouraged the EBU to communicate with all stakeholders in order to find a way forward. He also explained how damage to the Eurovision brand hurts national selection shows all across Europe. We’re publishing his words in full below.
“There is no doubt that the reputation of the Eurovision Song Contest has been significantly damaged this year, and it is now crucial that the EBU quickly takes action. The EBU needs to stop blaming the delegations and artists for the scandals that surrounded Eurovision 2024, and acknowledge the core problem. They need to be more humble and take responsibility for the damage done. They should return to the office and start communicating with both the broadcasters, the general public and the fans. I believe everyone wants a constructive dialogue, and to find ways to bring the Eurovision Song Contest back on track. We owe it to the millions of people who believe in unity, diversity, peace, love and the celebration of life and music. We owe it to everyone!”
“If the EBU makes wise and necessary moves to secure the values of the concept, then it should indeed be possible to get this situation sorted, and the process of healing can begin.”
“The reputation of Eurovision goes hand in hand with MGP and all the other national finals. What the EBU does now is crucial for the future of Eurovision and the national selections as well. However, they need to act quickly. Time is running out for the broadcasters that conduct national selections. Right now, it’s a tough task to get artists, songwriters, partners, and team members to engage and commit to the project.”
“NRK is holding internal meetings as we speak. The next step will be to carry these discussions over to the EBU.”
Do you agree with Stig’s analysis and suggestions? Do you see a path forward? And how have the controversies been covered in your country? Let us know in the comments box below.
